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Staff • Visiting Scholars • Current Postgraduates • Completed Postgraduates
Recent Completed Postgraduate Students
Doctor of Philosophy
| Year | Name | Title | ||||
|---|---|---|---|---|---|---|
| 2009 | Robin McGinley | Breaking the Sound Barrier: Explorations in Experimental SoundArt, Soundscape Research and Interactive Systems | Personal Web Site  |
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| 2007 | Dr Ximena Alarcon | An Interactive Sonic Environment Based on Commuters' Memory of Soundscape: A Case Study of the London Underground | ||||
| 2007 | Dr Rick Nance | Compositional Explorations in Plastic Sound | ||||
| 2005 | Dr Richard Hemmings | Unpredictable Popular Music: History, Praxis, Perception | ||||
| 2005 | Dr Sophy Smith | Compositional Processes in Club Culture | ||||
| 2005 | Dr Robert Weale | Investigating Composers' Intention and Listener Reception in Electroacoustic Music |
Masters in Music, Technology and Innovation
| Year | Name | Title | ||||
|---|---|---|---|---|---|---|
| 2009 | Sean Carroll | Mapping Gestural Motion in Dance to Algorithmic Composition | Personal Web Site |
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| 2009 | Robin Foster | Live Performance and Improvisation in Electronic and Computer Music | ||||
| 2009 | Michael Gatt | The Art of Composing Site-Specific Sonic Installations | ||||
| 2009 | Paul Jones | Algorithmic composition, Instrument Design and Gestural Mapping to Sound | Personal Web site |
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| 2009 | Jeff Mettlewsky | Mixed Instrumental and Electronics Composition, Aesthetics | ||||
| 2009 | Tasha Roberts | The Use of Noise in Electronic Music: The Ideas in Glitch | ||||
| 2009 | Nasia Therapontos | Spatialization of music in electroacoustic and sonic art works | ||||
| 2009 | Artur Walaszczyk | Sound design; electroacoustic music - reception and interpretation; soundscape and acousmatic multichannel composition | ||||
| 2008 | Andrew Hill | Composing the Metaphor: Investigating Suitable Strategies for the Composition of Electroacoustic Audio-visual Artworks | ||||
| 2008 | James Kelly | 'Technology Hacking': DJ Technology and Appropriation | Personal Web Site |
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| 2008 | Amit Patel | Turntable Performance And Sound Diffusion | Personal Web Site |
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| 2008 | Neal Spowage | Marrying the Dynamics of Performance and Live Electronic Music Production | Personal Web Site |
Masters by Independent Study
| Year | Name | Title | ||||
|---|---|---|---|---|---|---|
| 2009 | Robbie Lockwood | Electroacoustic Composition | ||||
| 2008 | Chris Cousin | Electronic Music Composition and Performance | Affiliated Web Site |
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| 2007 | Ioanna Pappa | Performance Studies and Education | ||||
| 2007 | Shammi Pithia | Pitch Perception and Human Emotion, Its Relevance in Classical Indian Music and its Application in Film Music | ||||
| 2007 | Alexis Ffrench | New Opportunities in Music Technology from a Pedagogical and Musician's Point of View | ||||
| 2007 | Serena Alexander | Composing For The Voice With Electronics And Sound Diffusion | ||||
| 2007 | Roger Barker | Postmodern Popular Composition and The Mix As An Artform | ||||
| 2007 | Philip Mead | Composition for Piano and Electronics | Personal Web Site |
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| 2007 | Matthew Moore | Exploring and Extending the Aesthetic and Technological Boundaries of the Talking Book | ||||
| 2006 | Thom Corah | LabTop: An Instrument for the Integration of Live Electronics into Composed Music | ||||
| 2006 | Dimitris Moraitis | Exploring the Use of the Human Voice and Text | ||||
| 2005 | Peter Wilkinson | PLASMA (Progressive, Living And Synthetic Musical Apparatus) |
page updated 29 January, 2010 16:49