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Panos Amelides
Non-linear Storytelling as Strategy for Electroacoustic Composition
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 Bill Brunson
Narrativity and Formal Aspects of Electroacoustic Music |
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Andrew Hill
Intention/Reception Study of Electroacoustic Audio-Visual Works |
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Alexis Ffrench
Cross-curricular Understanding through Creative Technologies; Exploring Gaming Techniques to Enhance Learning
Personal Web Site  |
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Kerry Francksen
The Interrelationship and Potential Synchronicity of Live and Mediated Dance
Personal Web Site  |
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Luca Forcucci
Personal Web Site 
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Michael Gatt
Tools for Understanding Electroacoustic Music
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David Gray
Cognition and Representation of Musical Timbre |
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Ryan Jordan
Real-time Physical and Gestural Expression in Live Computer and Electronic Music Performance
Personal Web Site
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James Kelly |
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Sarah Mackenzie
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Ben Ramsay
Acousmatic Music Composition, Diffusion and Aesthetics
Personal Web Site
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Manolis Manousakis
New Media Art - Creative Production Methods Utilizing Collectives
Personal Web Site  |
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Neal Spowage
Closing the Laptop: Dramatic Gesture and Physical Sculpture as Instruments in Post Digital Electronics Performance
Personal Web Site  |
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Nasia Therapontos
New Technologies and the Secondary Curriculum: The Educational Benefits of the Introduction of Sound-based Music in Cyprus. |
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Katerina Tzedaki
Issues of Natural and Virtual Sonic Environments
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Ian Willcock
Multimedia and Live Performance
Personal Web Site  |
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Motje Wolf
Development of pedagogical ElectroAcoustic Resource Site (EARS II)
Personal Web Site  |