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Undergraduate
Study 
Research 
CEPA 
What is Jukebox? 
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Scores
An Evocative Transcription is a visual representation of a piece of music
based on how it is interpreted by the listener. The transcription may
be linear (i.e. it may be read from left to right with different symbols
representing different musical events) or a much more abstract representation
of the overall impact of a work.
During the first year, students are asked to produce their own evocative
transcription of a piece of their choice, either on paper or in digital
form, along with a written commentary that explains how the
transcription relates to the original work.
OWEN
CLARKE (2009)
Owen Clarke, Method to the Madness |
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MITCHELL
WADE COLE (2009)
MIA, $20 |
LAURA
CRABB (2009)
Mr Scruff, Blackfoot Roll |
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JAVAN
GREEN (2009)
VNV Nation, As It Fades |
SAMUEL
HOBBS (2009)
Devenda Banhart, My Dearest Friend |
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PAUL
JAMES (2009)
Asa-Chang, Hana |
MARK JOHNSTON
(2009)
LFO, Monkeylips |
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NARINDER KALSEY (2009)
Pauline Oliveros, Bye Bye Butterfly |
TIM MATTHEWS (2009)
Clark, Springtime Epiphany |
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MEHUL PAREKH (2009)
Deadmau5, BOT |
ANDREW
JACKSON (2007)
John Murphy, In the house - In a heartbeat |
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JENNIFER RAFFERTY (2007)
Bonobo, Wayward Bob |
BEN
FELSTEAD (2007)
Alkaline Trio, Time to Waste |
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BOBBY
HAWKINS (2007)
Broadcast, Hammer Without a Master |
PAUL
JINKS (2007)
Booka Shade, Mandarine Girl |
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ADAM ROWLEY (2007)
Godspeed You! Black Emperor, Moya |
AARON
HIXON (2007)
Aphex Twin, Bucephalus Bouncing Ball |
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THOMAS
ANNABLE (2006)
Steve Reich, Piano Phase |
SAHBA
POSH-MASHAD (2006)
Captain Beefheart, Neon Meate Dreams... |
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GARETH
SPREY (2005)
Carl Orff, Carmina Burana |
CHRIS
SPEARMAN (2005)
Boards of Canada, Telephasic and Workshop |
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MEGAN
DAVIES (2005)
Massive Attack, Future Proof |
| LEWIS
TRACEY (2005)
Pierre Schaeffer, Etude aux objets |
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MARK
SHOTTER (2004)
Yves Daoust, Mi bemol |
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