Students on the Music, Technology and Innovation programme are strongly
encouraged to pursue and develop their own compositional interests in
their creative work while being introduced to a wealth of new musics from
which to draw inspiration. As a result, MTI students can contribute to,
be enriched by and ultimately enjoy a highly ecclectic musical culture,
collectively producing music in a rich variety of styles.
| STEVE
MORGAN, Gryllus Assimilis (2010)
ambient heterodyning cricket sounds & feedback |
|
MATT KNIGHT, Electro-Trance Formation (2010)
electro house & trance hybrid |
| GARRY
GREENAWAY, A Little Horse (2010)
semantic dissolution through timbral exploration |
|
HARRY
COX, Break Out (2010)
pursuit of boundary-less sound |
| MIKE
FOYLE, Alien Zoo (2009)
audio entrainment for emotional states |
|
BOTT
AARON, Run & Jump (2009)
8bit music |
| SAM
HOBBS, No, My Shoes! & Sally (2007/9) quirky
songs exploring spatial
multitracking |
|
JAVAN
GREEN, קולות (Voices) (2009)
spectral/sonic vocal investigation |
| LUKE
HIGHET, Genre Displacement (2009)
traversing genre spaces |
|
TIM
GOVER, Untitled3 (2009)
popular vs sound-based
music |
| JEAN-FRANÇOIS
PRIMEAU, Modernity (2009)
extended acousmatic track |
|
SAMUEL
CLARKE, tapt (2009)
misplaced music & remix |
| PAUL
JAMES, Destroy the World (2009) rhythmic
complexity via metric modulation |
|
STEVE
MORGAN, Space 1979 (2008)
retro sci-fi soundworld |
| TAMSIN
CULLUM, For the Last Time (2008) multi-environment
production techniques exploration |
|
ANEEK
THAPAR, Airport (2008)
spectral and spatial particulate zoom |
| GARETH SPREY, Victoria Station (2008) audio graffiti for public spaces |
|
SEAN ELLIOTT, Piggy in the Middle (2008) quirky song-writing & production technique |
| LEWIS TRACEY, Six Pianos (2008) ambient electronica remix |
|
CHRIS
SPEARMAN, Reddim (2008)
glitch electronica & IDM |
| JAMIE
WARD , Cupboard Piece (2007) exploring
intimate recording spaces |
|
GARETH
WOOD, Sympathy (2007) heavy
rock, alternative metal track |
| STEVEN
PEACH, Amiens Aers (2007) gentle
ambient electronica |
|
PAUL
MARTIN GUMMER, Fear (2007) uneasy
ambient electronica |
| JOEL
HARRIS, Theme & Variation (2007) drum
funk and the Amen break |
|
SIMON
IRVING, Felt Tip Crayon (2007) complex
rhythmic electronica |
| ADAM
CRISP, Laughing All The Way... (2007) indie-rock
& production techniques exploration |
|
J-R
LEGAULT-SALVAIL, Just One Song (2007) rich
(vocoder-)choral textured unaccompanied song |
| DANIEL
JOYCE, Musique & Promenade (2007) soundscape
and electroacoustic/electronica fusion |
|
J
KELLY & A WEIKERT, Duet Improv (2007) improv
using turntables |
| SERENA
ALEXANDER, Strata (2006) prepared
piano & live electronics |
|
BILL
NEWSINGER, Squirt (2006) mouth
music |
| AGGELOS
BALTAS, Untitled (2005) piano
carcass electronica |
|
MATTHEW
TOOLE, TechStep (2005) drum&bass
embracing 90s technology |
| MATTHEW
MOORE, Power On (2005) electroacoustic
electronica & electrical power |
|
ROBERT
HUGHES, Aultern (2005) cerebral
electronica, IDM |
| SHAMMI
PITHIA , Overcome (2005) hip-hop
& classical Indian improv |
|
MICHAEL
YORK , The Great Learning (2003) electronic
realisation of the Cardew work |
| PAUL
GODDEN , Supermarketing (2002) acousmatic
meditation on a supermarket |
|
NICK
HUGHES, Playing around...(2002) granulation
grooves |
| TOM
SHARPLES, Space Piece (2002) sonic
representation of the immensity of space |
|
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