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Audio

Students on the Music, Technology and Innovation programme are strongly encouraged to pursue and develop their own compositional interests in their creative work while being introduced to a wealth of new musics from which to draw inspiration. As a result, MTI students can contribute to, be enriched by and ultimately enjoy a highly ecclectic musical culture, collectively producing music in a rich variety of styles.

 

STEVE MORGAN, Gryllus Assimilis (2010)

ambient heterodyning cricket sounds & feedback

  MATT KNIGHT, Electro-Trance Formation (2010)

electro house & trance hybrid

GARRY GREENAWAY, A Little Horse (2010)

semantic dissolution through timbral exploration

  HARRY COX, Break Out (2010)

pursuit of boundary-less sound

MIKE FOYLE, Alien Zoo (2009)

audio entrainment for emotional states

  BOTT AARON, Run & Jump (2009)

8bit music

SAM HOBBS, No, My Shoes! & Sally (2007/9)

quirky songs exploring spatial multitracking

  JAVAN GREEN, קולות (Voices) (2009)

spectral/sonic vocal investigation

LUKE HIGHET, Genre Displacement (2009)

traversing genre spaces

  TIM GOVER, Untitled3 (2009)

popular vs sound-based music

JEAN-FRANÇOIS PRIMEAU, Modernity (2009)

extended acousmatic track

  SAMUEL CLARKE, tapt (2009)

misplaced music & remix

PAUL JAMES, Destroy the World (2009)

rhythmic complexity via metric modulation

  STEVE MORGAN, Space 1979 (2008)

retro sci-fi soundworld

TAMSIN CULLUM, For the Last Time (2008)

multi-environment production techniques exploration

  ANEEK THAPAR, Airport (2008)

spectral and spatial particulate zoom

GARETH SPREY, Victoria Station (2008)

audio graffiti for public spaces

  SEAN ELLIOTT, Piggy in the Middle (2008)

quirky song-writing & production technique

LEWIS TRACEY, Six Pianos (2008)

ambient electronica remix

  CHRIS SPEARMAN, Reddim (2008)

glitch electronica & IDM

JAMIE WARD , Cupboard Piece (2007)

exploring intimate recording spaces

  GARETH WOOD, Sympathy (2007)

heavy rock, alternative metal track

STEVEN PEACH, Amiens Aers (2007)

gentle ambient electronica

  PAUL MARTIN GUMMER, Fear (2007)

uneasy ambient electronica

JOEL HARRIS, Theme & Variation (2007)

drum funk and the Amen break

  SIMON IRVING, Felt Tip Crayon (2007)

complex rhythmic electronica

ADAM CRISP, Laughing All The Way... (2007)

indie-rock & production techniques exploration

  J-R LEGAULT-SALVAIL, Just One Song (2007)

rich (vocoder-)choral textured unaccompanied song

DANIEL JOYCE, Musique & Promenade (2007)

soundscape and electroacoustic/electronica fusion

  J KELLY & A WEIKERT, Duet Improv (2007)

improv using turntables

SERENA ALEXANDER, Strata (2006)

prepared piano & live electronics

  BILL NEWSINGER, Squirt (2006)

mouth music

AGGELOS BALTAS, Untitled (2005)

piano carcass electronica

  MATTHEW TOOLE, TechStep (2005)

drum&bass embracing 90s technology

MATTHEW MOORE, Power On (2005)

electroacoustic electronica & electrical power

  ROBERT HUGHES, Aultern (2005)

cerebral electronica, IDM

SHAMMI PITHIA , Overcome (2005)

hip-hop & classical Indian improv

  MICHAEL YORK , The Great Learning (2003)

electronic realisation of the Cardew work

PAUL GODDEN , Supermarketing (2002)

acousmatic meditation on a supermarket

  NICK HUGHES, Playing around...(2002)

granulation grooves

TOM SHARPLES, Space Piece (2002)

sonic representation of the immensity of space