Music Without Walls? Music Without Instruments?

Proceedings of the International Conference

21-23 June 2001, De Montfort University

Conference Welcome

By Professor Leigh Landy, Director of the Music, Technology and Innovation Research Group.
Available here in PDF format.

Papers

All conference papers are available in PDF format via the links below.

Presenter		Title
Marc Aird		Towards Material Modelling in Physical Models Using Digital Waveguides
Michael Casey		Musical Applications of MPEG-7 Audio
Nick Collins		Algorithmic Composition Methods for Breakbeat Science
Darren Copeland		The Audience in the Centre: Diffusion Practice at Sound Travels
Leon W. Couch		Introducing Electronic Music in Undergraduate Music Theory: Pedagogy and Theory
John Dack		At the Limits of Schaeffer's TARTYP
Palle Dahlstedt		A MutaSynth in Parameter Space: Interactive Composition Through Evolution
Palle Dahlstedt		Creating and Exploring the Huge Space Called Sound:Interactive Evolution as a Composition Tool
Richard Dobson		A Prototype Real-time Plugin Framework for the Phase Vocoder
John Levack Drever		The Sublime in Acousmatic Music: Listening to the Unpresentable
Ulrich D. Einbrodt		"Welcome to the Machine" - Pop Songs out of the Computer: The Era of PC-Musicians
Simon Emmerson		New Spaces / New Places: A Sound House for the Performance of Electroacoustic Music and Sonic Art
Archer Endrich		The Workshop of Art : Towards a Dynamic and Open Way of Thinking about Form in Music
Steve Everett		Logics of Value for Digital Music
Nick Fells		Without Walls
Giselle Martins dos Santos Ferreira		When Art, Science and Technology Meet: The Strength, the Dilemma or the Curse of Electroacoustic Music ?
John Ffitch		Creating a Computer-Assistant for Performance
James Harley		Embracing Multimedia for Value-Added Marketing: Electroacoustic Music Presented via Enhanced CD
Andrew Hugill		Some Issues in the Creation of Music Online
Leigh Landy		From Algorithmic Jukeboxes to Zero-Time Synthesis, A Potential A Z of Music in Tomorrow's World
Alex McLean		Hacking Sound in Context
Mladen Milicevic		Cyberspace Memes
Dennis Miller		Vision Statement
Adrian Moore		Sound Diffusion and Performance: New Methods New Music
Stephan Moore		KromoZone: A Platform for Networked Multimedia Performance
Rosemary Mountain		Caveats from a Dyed-in-the-Wool Futurist
Kia Ng		Augmented Stages for Installation-Arts and Performance
Derek Pierce		On Composing "This Gospel Train is Pulled by Steam"
Richard Polfreman		FrameWorks: A Structural Composition Tool
John Richards		New Modality: Sonic Magnification
Lisiunia A. Romanienka		Synthesizers and Other Hybrid Electronica within the Socially Embedded Context of Techno Music
Paul Rudy		Separation Anxiety: Metaphoric Transmutations from a Paradoxical Biological Instrument or: What is a Cactus Doing in our Concert Hall?
Scott Smallwood		Polyrhythmic Texture Derivations of Time-Lapsed Field Recordings
Martin Spain		Interpolator: A Two-dimensional Graphical Interpolation System for the Simultaneous Control of Digital Signal by Processing Parameters
Christian Spevak		Sound Spotting An Approach to Content-based Sound Retrieval
Bob L. Sturm		Composing for an Ensemble of Atoms: The Metamorphosis of Scientific Experiment into Music
Fred J. Szymanski		Recursive Time Modeling in "Retentions 1 - 4"
Dante Tanzi		Music Negotiation: Routes in User-based Description of Music
Robb Wright		Towards a New Language For Visual Music
John Young		Sju ... Who?
John P. Young		Networked Music: Bridging Real and Virtual Space

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